2,064 Royalty-Free Audio Tracks for "E Flat Chords"

Farben chord.

J.S. Bach 'Bourree in E minor' (BWV 996)

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Ballade no. 3 in A-flat major, op. 47

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

En I-ii7-V7-I-progression, sedan med V7 tritonussubstituerad

VII-I cadence in C major. Created by Hyacinth (talk) 14:28, 10 March 2011 (UTC) using Sibelius 5. GFDL-self

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

E natural minor scale ascending and descending.

*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73

E harmonic minor scale ascending and descending.

E melodic minor scale ascending and descending.

*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73

Just major seventh chord on C (8:10:12:15).

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

V of V in C, on guitar.

Violoncello chord on G

Created using Sibelius.

Minor triad on C

C-F-B Synthetic chord

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Tonic and dominant in C. C major and G major chords.

Cello concerto in e minor, op. 85 - iv. allegro, Op. 85

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.